The “Everything Pack” Worship Essentials – Quad Cortex

GFHG “Everything Quad Cortex Pack” Important: 1. Follow @guitarforhisglory on Cortex Cloud 2. Include your Quad Cortex username/handle in the comments section at checkout. That’s how I deliver your presets and captures to your Cortex Cloud profile. If you forget to include it (or miss where to enter it), just email your username/handle to [email protected] after your purchase. Presets will be delivered within 24 hours. �� Feel free to dig into the Read Me for this preset. GFHG “Everything” Quad Cortex Pack I truly hope you find the presets and effects helpful in your service to the Lord and His people. This is the full collection… The pack includes 8 fully programmed presets, 28 drive/compressor captures, and my collection of 100 amp captures (and growing). There’s enough range here to cover anything you’d run into during a worship set, and other genres, of course. I’ve focused heavily on the wet effects. Delay, reverb, and movement matter a lot in this genre, and the presets are built with that in mind. The presets are meant to save you time and also help you understand how to build these yourself. �� What’s Included Presets Amp captures are listed further down. GFHG Signature — “The Tone I Hear In My Head” Worship Essentials Presets Bethel Hillsong Elevation Song Presets Have It All UKAC30TB CHIM Fusion, based on my UK-made 1999 Vox AC30/6 TB and Benson Chimera AC30TB PROSONIC Fusion, based on my UK-made 1999 Vox AC30/6 TB and Fender Prosonic UKAC30TB, based on my UK-made 1999 Vox AC30/6 TB Benson Chimera, based on my Benson Chimera Fender Prosonic, based on my 1997 Fender Prosonic Preset Breakdown GFHG Signature — “The Tone I Hear In My Head” There’s a separate Read Me for this preset. When I sit down with any rig built for the ethereal tones of modern worship music, this is the sound I chase. It’s the tone I naturally gravitate toward when tracking songs, and it’s where I land when I take a song in a different direction and write my own parts. To me, it’s just that sound. Open. Airy. A supportive wash underneath. It keeps me from overplaying and helps me focus on what matters. When I think of being “locked in” from a tone perspective, this is it. And when my tone is locked in, I’m able to focus less on it, and more on Christ. Bethel Meaty but still present. Scenes: Clean Push Boost Rhythm Drive Drive Dot Drive Vib/Lo-Fi Ambient Swells Several effects are available in Stomp mode, including an extra reverb for moments when you want things a bit more washed out. Boosts / Drives / Compressor: GFHG Barber Tone Press Capture GFHG Daily Driver Capture GFHG SOJ SoloDallas Custom Capture Xotic RC Booster Amps: GFHG AC30 GFHG Fender Prosonic Hillsong Bright, defined, crisp. Scenes: Clean Dot Clean Dual Light Drive Dot Light Drive Dual Drive Dual Drive Dot Ambient Swells Several effects are available in Stomp mode, including an extra reverb for moments when you want things a bit more washed out. Boosts / Drives / Compressor: GFHG Cali76 Capture GFHG Chase Bliss Brothers Capture GFHG Case Study Aspen Capture Xotic RC Booster Amps: GFHG Matchless HC30 1965 Vibrolux Reverb GFHG AC30 Elevation More aggressive and forward. Scenes: Clean 8th Clean Dot Light Drive Dot Light Drive Dual Drive 8th Big Rhythm Fuzz Swells Several effects are available in Stomp mode, including an extra reverb for moments when you want things a bit more washed out. Boosts / Drives / Compressor: GFHG Cali76 Capture GFHG Chase Bliss Brothers Capture GFHG Case Study Aspen Capture Fuzz Xotic RC Booster Amps: Matchless Chieftain 1965 Fender Vibrolux Reverb Captures of My Drives, Boosts, and Compressors These are Neural V2 and captured using my favorite settings. One thing that’s really stood out to me with the Quad Cortex is how well it handles adjustments within the unit itself. You can change the gain, bass, or treble, and the capture doesn’t lose its identity. The Benson Preamp is a great example. Mine has more gain than the newer versions, so I captured it that way. But when I roll the gain way back, it sounds like I rolled the gain back on the pedal itself. So instead of having multiple captures of a pedal, we can just treat the one capture as if it’s the pedal itself. Boost / Low Gain Origin Effects Cali76 FET — My favorite light compression setting. Barber Tone Press — My favorite super-squashed compression setting. Greer Amps Lightspeed — The low gain wonder for just a little more hair. Jackson Audio Prism — One of my favorite clean boosts of all time. Has some nice sizzle. SOJ KDSD-3 Preamp — The Edge is known for this preamp. Great one here. SOJ SoloDallas Storm — A great preamp/drive that provides body. Tone Ranger Prickly Pear — A great preamp meant to add some sparkle. XACT Tone Solutions GE-7 Mod — An awesome EQ pedal that I use as a boost. Xotic Effects RC Booster — One of the best boost pedals of all time. Low / Medium Gain Analogman King of Tone Red — Kind of medium gain. Everyone knows what this is. Analogman King of Tone Yellow — Everyone knows what this is. Apollo Approved Buckartie-Boo — The best Nobels ODR-1 variant out there. Benson Preamp, original gain version — One of my favorite pedals. Benson changed the gain structure of these at some point. My older one has a ton of gain on tap, and I love it. Back the gain on this capture down to -13.6 and it’s a great low gain drive. Chase Bliss Brothers — Low gain, Analogman KOT-ish sound. SOJ Sound Driver RX/CS — It’s capable of the flubby fuzz stuff, but I don’t like the way it sounds there. Where this one shines to me is with the gain barely cracked, adding bite and clarity with a bit of pent-up aggression. JHS SuperBolt — Low gain setting. All the fluffy goodness of the SuperBolt. Lauren Audio Mustang — I captured this one gainier than I normally use it, but if you back the gain down to 2–3, it’s right at the sweet spot. I also like the more gained-out tone, so keep it at 5 for some sizzle. NRG Effects Purrer — Low to medium gain is this one’s strength. Shnobel Tone Daily Driver — My favorite low–medium gain drive. SoloDallas CD65 — Bright and open drive sound. Medium Gain Analog Man King of Tone Red and Yellow Together — So good. Benson Preamp, original gain version — One of my favorite pedals. Benson changed the gain structure of these at some point. My older one has a ton of gain on tap, and I love it. Back the gain on this capture down to -13.6 and it’s a great low gain drive. At 0, it’s a fire breather. Case Study Aspen Overdrive — A modern classic for medium gain stuff. So good. JHS Kilt 10, Flat Mode — Flat switch activated for a fuller sound. JHS SuperBolt — Medium gain setting. All the fluffy goodness of the SuperBolt. NRG Effects Purrer, Boost Engaged Amp Captures These are captures of my actual amps. See the individual products for each of these for more detail. UKAC30TB CHIM Fusion Based on my UK-made 1999 Vox AC30/6 TB and Benson Chimera. 36 captures Two different characters: Balanced and Sparkle Three blend types: 50/50, 70/30, 30/70 UKAC30TB PROSONIC Fusion Based on my UK-made 1999 Vox AC30/6 TB and Fender Prosonic. 48 captures Two different characters: Balanced and Sparkle Three blend types: 50/50, 70/30, 30/70 BENCHIM Based on my Benson Chimera. 24 captures Two different characters: A = The tone this amp is known for. B = Roll-off of bass, bump in presence. Four different tone profiles: Balanced, Sparkle, Mid Push, Shaped Fender Prosonic Based on my 1997 Fender Prosonic. 9 captures Three different characters: Balanced, Sparkle, Mid Push UKAC30TB Based on my UK-made 1999 Vox AC30/6 TB. 27 captures Three different characters: A = Warm and balanced. B = More sizzle in the upper mids and highs. C = Blend between A and B. Three different tone profiles: Balanced, Sparkle, Mid Push My OG Captures These are captures of my Kemper profiles, with one capture each. 1965 Reverb Fender Vibrolux AC30 6/TB Benson Chimera AC30 6/TB Fender Prosonic AC30 6/TB Mid Push AC30 6/TB Benson Chimera Benson Chimera AC30 Fender Prosonic Matchless Chieftain Matchless HC30 Matchless HC30 EF86 Matchless HC30 1965 Vibrolux Reverb Universal Audio Dream 65* Universal Audio Ruby* *V1 captures. The rest are V2. I hope these presets and captures serve you well as you serve the Lord and His people. As always, I am here to help. If you have questions, do not hesitate to reach out. Coram Deo, Troy GuitarforHISGLORY [email protected] Change Log July 2026 Update Added 48 captures from the new AC30 Prosonic Fusion Pack Added two new all-in-one presets Includes one versatile, template-style preset designed as a starting point for a wide range of songs Includes a song-specific preset for Stronger, as heard in the demo June 2026 Update Added new preset: Have It All Added new drive block: Apollo Approved Buckartie Boo The Have It All preset uses the APOLLO HUGE drive clone along with the GFHG AC KIM B 50 Bal 3 and GFHG AC KIM A 30 BAL 3 amp clones All brand names, product names, and trademarks are the property of their respective owners. These presets/captures are not affiliated with or endorsed by any manufacturer or artist mentioned and simply represent my best effort to capture what I hear and love about the sonic territory they occupy.